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Separated pong to its own repository

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Toasterbirb 2022-01-18 16:27:53 +02:00
parent 77db031342
commit 7784d7dfb5
27 changed files with 3 additions and 17153 deletions
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15
Makefile
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@ -1,6 +1,5 @@
CC=g++
SRCDIR=./src
PONG_SRC=./games/Ping-Pong/src
outputDir=./build
CFLAGS=-fPIC -O2
WarningFlags=-Wpedantic -pedantic -Wall -Wextra
@ -8,7 +7,7 @@ SDL_FLAGS=-lSDL2 -lSDL2main -lSDL2_image -lSDL2_ttf -lSDL2_mixer -lSDL2_gfx
INCLUDES=-I./include
LIBFILE=libbirb2d.so
all: test pong engine_lib
all: test engine_lib
test: tests.o logger.o renderwindow.o values.o timestep.o utils.o math.o
mkdir -p build
@ -17,14 +16,6 @@ test: tests.o logger.o renderwindow.o values.o timestep.o utils.o math.o
run_tests: test
./build/test
pong: pong_main.o logger.o renderwindow.o timestep.o entity.o utils.o audio.o
mkdir -p build
rsync -av ./games/Ping-Pong/res ./build/
$(CC) $^ $(SDL_FLAGS) $(WarningFlags) -o $(outputDir)/pong
pong_main.o: $(PONG_SRC)/pong_entry.cpp
$(CC) -c $(INCLUDES) $(SDL_FLAGS) $(WarningFlags) $^ -o pong_main.o
engine_obj: audio.o entity.o logger.o math.o renderwindow.o timer.o timestep.o utils.o values.o
mkdir -p build
ld -r $^ -o $(outputDir)/birb2d.o
@ -34,12 +25,12 @@ engine_lib: audio.o entity.o logger.o math.o renderwindow.o timer.o timestep.o u
g++ -shared $(SDL_FLAGS) -o $(outputDir)/$(LIBFILE) $^
install: engine_lib
cp $(outputDir)/$(LIBFILE) /usr/local/lib/
cp $(outputDir)/$(LIBFILE) /usr/lib/
mkdir -p /usr/local/include/birb2d
cp ./include/* /usr/local/include/birb2d/
uninstall:
rm -f /usr/local/lib/$(LIBFILE)
rm -f /usr/lib/$(LIBFILE)
rm -rf /usr/local/include/birb2d
audio.o: $(SRCDIR)/audio.cpp

242
games/Ping-Pong/res/fonts/freefont/AUTHORS
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@ -1,242 +0,0 @@
-*- mode:text; coding:utf-8; -*-
GNU FreeFont Authors
====================
The FreeFont collection is being maintained by
Steve White <stevan.white AT googlemail.com>
The folowing list cites the other contributors that contributed to
particular ISO 10646 blocks.
* URW++ Design & Development GmbH <http://www.urwpp.de/>
Basic Latin (U+0041-U+007A)
Latin-1 Supplement (U+00C0-U+00FF) (most)
Latin Extended-A (U+0100-U+017F)
Spacing Modifier Letters (U+02B0-U+02FF)
Mathematical Operators (U+2200-U+22FF) (parts)
Block Elements (U+2580-U+259F)
Dingbats (U+2700-U+27BF)
* Yannis Haralambous <yannis.haralambous AT enst-bretagne.fr> and John
Plaice <plaice AT omega.cse.unsw.edu.au>
Latin Extended-B (U+0180-U+024F)
IPA Extensions (U+0250-U+02AF)
Greek (U+0370-U+03FF)
Armenian (U+0530-U+058F)
Hebrew (U+0590-U+05FF)
Arabic (U+0600-U+06FF)
Currency Symbols (U+20A0-U+20CF)
Arabic Presentation Forms-A (U+FB50-U+FDFF)
Arabic Presentation Forms-B (U+FE70-U+FEFF)
* Yannis Haralambous and Wellcome Institute
Sinhala (U+0D80-U+0DFF)
* Young U. Ryu <ryoung AT utdallas.edu>
Arrows (U+2190-U+21FF)
Mathematical Symbols (U+2200-U+22FF)
Mathematical Alphanumeric Symbols (U+1D400-U+1D7FF)
* Valek Filippov <frob AT df.ru>
Cyrillic (U+0400-U+04FF)
* Wadalab Kanji Comittee
Hiragana (U+3040-U+309F)
Katakana (U+30A0-U+30FF)
* Angelo Haritsis <ah AT computer.org>
Greek (U+0370-U+03FF)
* Yannis Haralambous and Virach Sornlertlamvanich
Thai (U+0E00-U+0E7F)
* Shaheed R. Haque <srhaque AT iee.org>
Bengali (U+0980-U+09FF)
* Sam Stepanyan <sam AT arminco.com>
Armenian (U+0530-U+058F)
* Mohamed Ishan <ishan AT mitf.f2s.com>
Thaana (U+0780-U+07BF)
* Sushant Kumar Dash <sushant AT writeme.com>
Oriya (U+0B00-U+0B7F)
* Harsh Kumar <harshkumar AT vsnl.com>
Devanagari (U+0900-U+097F)
Bengali (U+0980-U+09FF)
Gurmukhi (U+0A00-U+0A7F)
Gujarati (U+0A80-U+0AFF)
* Prasad A. Chodavarapu <chprasad AT hotmail.com>
Telugu (U+0C00-U+0C7F)
* Frans Velthuis <velthuis AT rc.rug.nl> and Anshuman Pandey
<apandey AT u.washington.edu>
Devanagari (U+0900-U+097F)
* Hardip Singh Pannu <HSPannu AT aol.com>
Gurmukhi (U+0A00-U+0A7F)
* Jeroen Hellingman <jehe AT kabelfoon.nl>
Oriya (U+0B00-U+0B7F)
Malayalam (U+0D00-U+0D7F)
* Thomas Ridgeway <email needed>
Tamil (U+0B80-U+0BFF)
* Berhanu Beyene <1beyene AT informatik.uni-hamburg.de>,
Prof. Dr. Manfred Kudlek <kudlek AT informatik.uni-hamburg.de>, Olaf
Kummer <kummer AT informatik.uni-hamburg.de>, and Jochen Metzinger <?>
Ethiopic (U+1200-U+137F)
* Maxim Iorsh <iorsh AT users.sourceforge.net>
Hebrew (U+0590-U+05FF)
* Vyacheslav Dikonov <sdiconov AT mail.ru>
Syriac (U+0700-U+074A)
Braille (U+2800-U+28FF)
* Panayotis Katsaloulis <panayotis AT panayotis.com>
Greek Extended (U+1F00-U+1FFF)
* M.S. Sridhar <mssridhar AT vsnl.com>
Devanagari (U+0900-U+097F)
Bengali (U+0980-U+09FF)
Gurmukhi (U+0A00-U+0A7F)
Gujarati (U+0A80-U+0AFF)
Oriya (U+0B00-U+0B7F)
Tamil (U+0B80-U+0BFF)
Telugu (U+0C00-U+0C7F)
Kannada (U+0C80-U+0CFF)
Malayalam (U+0D00-U+0D7F)
* DMS Electronics, The Sri Lanka Tipitaka Project, and Noah Levitt
<nlevitt AT columbia.edu>
Sinhala (U+0D80-U+0DFF)
* Dan Shurovich Chirkov <dansh AT chirkov.com>
Cyrillic (U+0400-U+04FF)
* Abbas Izad <abbasizad AT hotmail.com>
Arabic (U+0600-U+06FF)
Arabic Presentation Forms-A (U+FB50-U+FDFF)
Arabic Presentation Forms-B (U+FE70-U+FEFF)
* Denis Jacquerye <moyogo AT gmail.com>
Latin Extended-B (U+0180-U+024F)
IPA Extensions (U+0250-U+02AF)
* K.H. Hussain <hussain AT kfri.org> and R. Chitrajan
Malayalam (U+0D00-U+0D7F)
* Solaiman Karim <solaiman AT ekushey.org> and Omi Azad <omi AT ekushey.org>
Bengali (U+0980-U+09FF)
* Sonali Sonania <sonalisonania AT gmail.com> and Monika Shah
<monikapatira AT gmail.com>
Devanagari (U+0900-U+097F)
Gujarati (U+0A80-U+0AFF)
* Pravin Satpute <pravin.d.s AT gmail.com>, Bageshri Salvi
<sbagrshri AT yahoo.co.in>, Rahul Bhalerao <b.rahul.pm AT gmail.com> and
Sandeep Shedmake <sandeep.shedmake AT gmail.com>
Devanagari (U+0900-U+097F)
Gujarati (U+0A80-U+0AFF)
Oriya (U+0B00-U+0B7F)
Malayalam (U+0D00-U+0D7F)
Tamil (U+0B80-U+0BFF)
* Kulbir Singh Thind
Gurmukhi (U+0A00-U+0A7F)
* Gia Shervashidze <giasher AT telenet.ge>
Georgian (U+10A0-U+10FF)
* Daniel Johnson
Armenian (serif) (U+0530-U+058F)
Cherokee (U+13A0-U+13FF)
Unified Canadian Aboriginal Syllabics (U+1400-U+167F)
UCAS Extended (U+18B0-U+18F5)
Tifinagh (U+2D30-U+2D7F)
Vai (U+A500-U+A62B)
Latin Extended-D (Mayanist letters) (U+A720-U+A7FF)
Kayah Li (U+A900-U+A92F)
Osmanya (U+10480-U+104a7)
* George Douros
Gothic (U+10330-U+1034F)
Phoenecian (U+10900-U+1091F)
Byzantine Musical Symbols (U+1D000-U+1D0FF)
Western Musical Symbols (U+1D100-U+1D1DF)
Mathematical Alphanumeric Symbols (U+1D400-U+1D7FF)
Mah Jong Tiles (U+1F000-U+1F02B)
Dominoes (U+1F030-U+1F093)
* Steve White <stevan_white AT gmail.com>
Glagolitic (U+2C00-U+2C5F)
Coptic (U+2C80-U+2CFF)
Arabic (U+0600-U+06FF) (Mono)
Old Italic (U+10300-U+1032F)
* Pavel Skrylev is responsible for
Cyrillic Extended-A (U+2DEO-U+2DFF)
as well as many of the additions to
Cyrillic Extended-B (U+A640-U+A65F)
* Mark Williamson
Made the MPH 2 Damase font, from which
Hanunóo (U+1720-U+173F)
Buginese (U+1A00-U+1A1F)
Tai Le (U+1950-U+197F)
Ugaritic (U+10380-U+1039F)
Old Persian (U+103A0-U+103DF)
* Masoud Pourmoosa
Arabic (U+0600-U+06FF)
* Emmanuel Vallois
Python scripts, support
* Primož Peterlin <primoz.peterlin AT biofiz.mf.uni-lj.si>
maintained FreeFont for several years, and is thanked for all his work.
Please see the CREDITS file for details on who contributed particular
subsets of the glyphs in font files.
--------------------------------------------------------------------------
$Id: AUTHORS,v 1.23 2010-09-11 13:24:11 Stevan_White Exp $

674
games/Ping-Pong/res/fonts/freefont/COPYING
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@ -1,674 +0,0 @@
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597
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@ -1,597 +0,0 @@
-*- mode:text; coding:utf-8; -*-
GNU FreeFont Credits
====================
This file lists contributors and contributions to the GNU FreeFont project.
* URW++ Design & Development GmbH <http://www.urwpp.de/>
URW++ donated a set of 35 core PostScript Type 1 fonts to the
Ghostscript project <http://www.ghostscript.com/>, to be available
under the terms of GNU General Public License (GPL).
Basic Latin (U+0041-U+007A)
Latin-1 Supplement (U+00C0-U+00FF)
Latin Extended-A (U+0100-U+017F)
Spacing Modifier Letters (U+02B0-U+02FF)
Mathematical Operators (U+2200-U+22FF)
Block Elements (U+2580-U+259F)
Dingbats (U+2700-U+27BF)
* Yannis Haralambous <yannis.haralambous AT enst-bretagne.fr> and John
Plaice <plaice AT omega.cse.unsw.edu.au>
Yannis Haralambous and John Plaice are the authors of Omega typesetting
system, <http://omega.enstb.org/>. Omega is an extension of TeX.
Its first release, aims primarily at improving TeX's multilingual abilities.
In Omega all characters and pointers into data-structures are 16-bit wide,
instead of 8-bit, thereby eliminating many of the trivial limitations of TeX.
Omega also allows multiple input and output character sets, and uses
programmable filters to translate from one encoding to another, to perform
contextual analysis, etc. Internally, Omega uses the universal 16-bit Unicode
standard character set, based on ISO-10646. These improvements not only make
it a lot easier for TeX users to cope with multiple or complex languages,
like Arabic, Indic, Khmer, Chinese, Japanese or Korean, in one document, but
will also form the basis for future developments in other areas, such as
native color support and hypertext features. ... Fonts for UT1 (omlgc family)
and UT2 (omah family) are under development: these fonts are in PostScript
format and visually close to Times and Helvetica font families.
Omega fonts are available subject to GPL
Latin Extended-B (U+0180-U+024F)
IPA Extensions (U+0250-U+02AF)
Greek (U+0370-U+03FF)
Armenian (U+0530-U+058F)
Hebrew (U+0590-U+05FF)
Arabic (U+0600-U+06FF)
Currency Symbols (U+20A0-U+20CF)
Arabic Presentation Forms-A (U+FB50-U+FDFF)
Arabic Presentation Forms-B (U+FE70-U+FEFF)
Current info: <http://tug.ctan.org/cgi-bin/ctanPackageInformation.py?id=omega>
* Valek Filippov <frob AT df.ru>
Valek Filippov added Cyrillic glyphs and composite Latin Extended A to
the whole set of the abovementioned URW set of 35 PostScript core fonts,
<ftp://ftp.gnome.ru/fonts/>. The fonts are available under GPL.
(The Cyrillic range was since replaced by another font.)
Latin Extended-A (U+0100-U+017F)
* Wadalab Kanji Comittee
Between April 1990 and March 1992, Wadalab Kanji Comittee put together a
series of scalable font files with Japanese scripts, in four forms:
Sai Micho, Chu Mincho, Cho Kaku and Saimaru.
The font files are written in custom file format, while tools for conversion
into Metafont and PostScript Type 1 are also supplied. The Wadalab Kanji
Comittee was later dismissed. The resulting files were once found on the FTP
server of the Department of Mathematical Engineering and Information Physics,
Faculty of Engineering, University of Tokyo. Some of these are available at
<http://www.ctan.org/tex-archive/fonts/wadalab>
Hiragana (U+3040-U+309F)
Katakana (U+30A0-U+30FF)
* Young U. Ryu <ryoung AT utdallas.edu>
Young Ryu is the author of Txfonts, a set of mathematical symbols
designed to accompany text typeset in Times or its variants. In the
documentation, Young adresses the design of mathematical symbols: "The
Adobe Times fonts are thicker than the CM fonts. Designing math fonts
for Times based on the rule thickness of Times = , , + , / , < ,
etc. would result in too thick math symbols, in my opinion. In the TX
fonts, these glyphs are thinner than those of original Times
fonts. That is, the rule thickness of these glyphs is around 85% of
that of the Times fonts, but still thicker than that of the CM fonts."
TX fonts are are distributed under the GNU public license (GPL).
<http://www.ctan.org/tex-archive/fonts/txfonts/>.
Arrows (U+2190-U+21FF)
Mathematical Symbols (U+2200-U+22FF)
* Angelo Haritsis <ah AT computer.org>
Angelo Haritsis has compiled a set of Greek Type 1 fonts, once available as
as a tarball named greekXfonts-Type1-1.1.tgz.
The glyphs from this source have been used to compose Greek glyphs in
FreeSans and FreeMono.
Angelo's licence says: "You can enjoy free use of these fonts for
educational or commercial purposes. All derived works should include
this paragraph. If you want to change something please let me have
your changes (via email) so that they can go into the next
version. You can also send comments etc to the above address."
Greek (U+0370-U+03FF)
* Yannis Haralambous and Virach Sornlertlamvanich
In 1999, Yannis Haralambous and Virach Sornlertlamvanich made a set of
glyphs covering the Thai national standard Nf3, in both upright and
slanted shape. The collection of glyphs have been made part of GNU
intlfonts 1.2 package and is available under the GPL at
<ftp://ftp.gnu.org/pub/gnu/intlfonts/>.
Thai (U+0E00-U+0E7F)
* Shaheed R. Haque <srhaque AT iee.org>
Shaheed Haque has developed a basic set of basic Bengali glyphs
(without ligatures), using ISO10646 encoding. They are available under
the XFree86 license at <http://www.btinternet.com/~shaheedhaque/>.
Copyright (C) 2001 S.R.Haque <srhaque AT iee.org>. All Rights Reserved.
Permission is hereby granted, free of charge, to any person obtaining
a copy of this software and associated documentation files (the
"Software"), to deal in the Software without restriction, including
without limitation the rights to use, copy, modify, merge, publish,
distribute, sublicense, and/or sell copies of the Software, and to
permit persons to whom the Software is furnished to do so, subject to
the following conditions:
The above copyright notice and this permission notice shall be
included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF
MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.
IN NO EVENT SHALL S.R.HAQUE BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE,
ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR
OTHER DEALINGS IN THE SOFTWARE.
Except as contained in this notice, the name of S.R.Haque shall not be
used in advertising or otherwise to promote the sale, use or other
dealings in this Software without prior written authorization from
S.R.Haque.
Bengali (U+0980-U+09FF)
* Sam Stepanyan <sam AT arminco.com>
Sam Stepanyan created a set of Armenian sans serif glyphs visually
compatible with Helvetica or Arial. Available on
<http://www.editum.com.ar/mashtots/html/fonts/ara.tar.gz>. On
2002-01-24, Sam writes: "Arial Armenian font is free for
non-commercial use, so it is OK to use under GPL license."
Armenian (U+0530-U+058F)
* Mohamed Ishan <>
Mohamed Ishan started the Thaana Unicode Project and among other things
created a couple of Thaana fonts, available under FDL or BDF license.
Thaana (U+0780-U+07BF)
* Sushant Kumar Dash <sushant AT writeme.com> (*)
Sushant Dash has created a font in his mother tongue, Oriya. As he
states on his web page <http://sushantdash.tripod.com/>:
"Please feel free to foreword this mail to your Oriya friends. No
copyright law is applied for this font. It is totally free!!! Feel
free to modify this using any font editing tools. This is designed for
people like me, who are away from Orissa and want to write letters
home using Computers, but suffer due to unavailability of Oriya
fonts.(Or the cost of the available packages are too much)."
Oriya (U+0B00-U+0B7F)
* Harsh Kumar <harshkumar AT vsnl.com>
Harsh Kumar has started BharatBhasha <http://www.bharatbhasha.net/> -
an effort to provide "FREE software, Tutorial, Source Codes
etc. available for working in Hindi, Marathi, Gujarati, Gurmukhi and
Bangla. You can type text, write Web pages or develop Indian Languages
Applications on Windows and on Linux. We also offer FREE help to
users, enthusiasts and software developers for their work in Indian
languages."
Devanagari (U+0900-U+097F)
Bengali (U+0980-U+09FF)
Gurmukhi (U+0A00-U+0A7F)
Gujarati (U+0A80-U+0AFF)
* Prasad A. Chodavarapu <chprasad AT hotmail.com>
Prasad A. Chodavarapu created Tikkana, a Telugu font available in Type
1 and TrueType format on <http://chaitanya.bhaavana.net/fonts/>.
Tikkana exceeds the Unicode Telugu range with some composite glyphs.
Available under the GNU General Public License.
Telugu (U+0C00-U+0C7F)
* Frans Velthuis <velthuis AT rc.rug.nl> and Anshuman Pandey
<apandey AT u.washington.edu>
In 1991, Frans Velthuis from the Groningen University, The Netherlands,
released a Devanagari font as Metafont source, available under the terms of
GNU GPL. Later, Anshuman Pandey from the Washington University, Seattle, USA,
took over the maintenance of font. Zdeněk Wagner has provided a huge amount
of expert advice regarding the implementation of the font in FreeSerif.
Fonts can be found on CTAN,
<ftp://ftp.dante.de/tex-archive/language/devanagari/>.
Devanagari (U+0900-U+097F)
* Hardip Singh Pannu <HSPannu AT aol.com>
In 1991, Hardip Singh Pannu has created a free Gurmukhi TrueType font,
available as regular, bold, oblique and bold oblique form. Its license
says "Please remember that these fonts are copyrighted (by me) and are
for non-profit use only."
Gurmukhi (U+0A00-U+0A7F)
* Jeroen Hellingman <jehe AT kabelfoon.nl>
Jeroen Hellingman created a set of Malayalam metafonts in 1994, and a
set of Oriya metafonts in 1996. Malayalam fonts were created as
uniform stroke only, while Oriya metafonts exist in both uniform and
modulated stroke. From private communication: "It is my intention to
release the fonts under GPL, but not all copies around have this
notice on them." Metafonts can be found on CTAN,
<ftp://ftp.dante.de/tex-archive/language/oriya/> and
<ftp://ftp.dante.de/tex-archive/language/malayalam/>.
Oriya (U+0B00-U+0B7F)
Malayalam (U+0D00-U+0D7F)
* Thomas Ridgeway <> (*)
Thomas Ridgeway, then at the Humanities And Arts Computing Center,
Washington University, Seattle, USA, (now defunct), created a Tamil
metafont in 1990. Anshuman Pandey from the same university took over
the maintenance of font. Fonts can be found at CTAN,
<ftp://ftp.dante.de/tex-archive/language/tamil/wntamil/>.
Tamil (U+0B80-U+0BFF)
* Berhanu Beyene <1beyene AT informatik.uni-hamburg.de>,
Prof. Dr. Manfred Kudlek <kudlek AT informatik.uni-hamburg.de>, Olaf
Kummer <kummer AT informatik.uni-hamburg.de>, and Jochen Metzinger <?>
Beyene, Kudlek, Kummer and Metzinger from the Theoretical Foundations
of Computer Science, University of Hamburg, prepared a set of Ethiopic
metafonts, found on
<ftp://ftp.dante.de/tex-archive/language/ethiopia/ethiop/>. They also
maintain home page on the Ethiopic font project,
<http://www.informatik.uni-hamburg.de/TGI/mitarbeiter/wimis/kummer/ethiop_eng.html>,
and can be reached at <ethiop AT informatik.uni-hamburg.de>. The current
version of fonts is 0.7 (1998), and they are released under GNU GPL. I
converted the fonts to Type 1 format using Péter Szabó's TeXtrace-A
program <http://www.inf.bme.hu/~pts/textrace/> and removed some
redundant control points with PfaEdit.
Ethiopic (U+1200-U+137F)
* Maxim Iorsh <iorsh AT users.sourceforge.net>
In 2002, Maxim Iorsh started the Culmus project, aiming at providing
Hebrew-speaking Linux and Unix community with a basic collection of
Hebrew fonts for X Windows. The fonts are visually compatible with
URW++ Century Schoolbook L, URW++ Nimbus Sans L and URW++ Nimbus Mono
L families, respectively, and are released under GNU GPL license. See
also <http://culmus.sourceforge.net/>.
Hebrew (U+0590-U+05FF)
* Panayotis Katsaloulis <panayotis AT panayotis.com>
Panayotis Katsaloulis helped fixing Greek accents in the Greek
Extended area.
Greek Extended (U+1F00-U+1FFF)
* Vyacheslav Dikonov <sdiconov AT mail.ru>
Vyacheslav Dikonov made a Braille unicode font that could be merged
with the UCS fonts to fill the 2800-28FF range completely. (uniform
scaling is possible to adapt it to any cell size). He also contributed
a free syriac font, whose glyphs (about half of them) are borrowed
from the "Carlo Ator" font by Tim Erickson.
Vyacheslav also filled in a few missing
spots in the U+2000-U+27FF area, e.g. the box drawing section, sets of
subscript and superscript digits and capital Roman numbers.
Syriac (U+0700-U+074A)
Box Drawing (U+2500-U+257F)
Braille (U+2800-U+28FF)
* Tim Erickson
Is the author of several Eurasian fonts, including "Carlo Ator".
He has given his written permission for glyphs from this font to be
included in FreeFont.
Syriac (U+0700-U+074A)
* M.S. Sridhar <mssridhar AT vsnl.com>
M/S Cyberscape Multimedia Limited, Mumbai, developers of Akruti
Software for Indian Languages (http://www.akruti.com/), have released
a set of TTF fonts for nine Indian scripts (Devanagari, Gujarati,
Telugu, Tamil, Malayalam, Kannada, Bengali, Oriya, and Gurumukhi)
under the GNU General Public License (GPL). You can download the fonts
from the Free Software Foundation of India WWW site
(http://www.gnu.org.in/akruti-fonts/) or from the Akruti website.
For any further information or assistance regarding these fonts,
please contact mssridhar AT vsnl.com.
Devanagari (U+0900-U+097F)
Bengali (U+0980-U+09FF)
Gurmukhi (U+0A00-U+0A7F)
Gujarati (U+0A80-U+0AFF)
Oriya (U+0B00-U+0B7F)
Tamil (U+0B80-U+0BFF)
Telugu (U+0C00-U+0C7F)
Kannada (U+0C80-U+0CFF)
Malayalam (U+0D00-U+0D7F)
* DMS Electronics, The Sri Lanka Tipitaka Project, and Noah Levitt
<nlevitt AT columbia.edu>
Noah Levitt found out that the Sinhalese fonts available on the site
<http://www.metta.lk/fonts/> are released under GNU GPL, or,
precisely, "Public Domain under GNU Licence Produced by DMS
Electronics for The Sri Lanka Tipitaka Project" (taken from the font
comment), and took the effort of recoding the font to Unicode.
These glyphs were later replaced by those from the LKLUG font
<http://www.lug.lk/fonts/lklug>
Finally the range was completely replaced by glyphs from the sinh TeX
font, with much help and advice from Harshula Jayasuriya.
Sinhala (U+0D80-U+0DFF)
* Daniel Shurovich Chirkov <dansh AT chirkov.com>
Dan Chirkov updated the FreeSerif font with the missing Cyrillic
glyphs needed for conformance to Unicode 3.2. The effort is part of
the Slavjanskij package for Mac OS X,
<http://www.versiontracker.com/dyn/moreinfo/macosx/18680>.
Cyrillic (U+0400-U+04FF)
* Denis Jacquerye <moyogo AT gmail.com>
Denis Jacquerye added new glyphs and corrected existing ones in the
Latin Extended-B and IPA Extensions ranges.
Latin Extended-B (U+0180-U+024F)
IPA Extensions (U+0250-U+02AF)
* K.H. Hussain <hussain AT kfri.org> and R. Chitrajan
`Rachana' in Malayalam means `to write', `to create'. Rachana Akshara Vedi,
a team of socially committed information technology professionals and
philologists, has applied developments in computer technology and desktop
publishing to resurrect the Malayalam language from the disorder,
fragmentation and degeneration it had suffered since the attempt to adapt
the Malayalam script for using with a regular mechanical typewriter, which
took place in 1967-69. K.H. Hussein at the Kerala Forest Research Institute
has released "Rachana Normal" fonts with approximately 900 glyphs required
to typeset traditional Malayalam. R. Chitrajan apparently encoded the
glyphs in the OpenType table.
In 2008, the Malayalam ranges in FreeSerif were updated under the advise
and supervision of Hiran Venugopalan of Swathanthra Malayalam Computing,
to reflect the revised edition Rachana_04.
Malayalam (U+0D00-U+0D7F)
* Solaiman Karim <solaiman AT ekushey.org>
Bengali (U+0980-U+09FF)
Solaiman Karim has developed several OpenType Bangla fonts and
released them under GNU GPL on <http://www.ekushey.org>.
* Sonali Sonania <sonalisonania AT gmail.com> and Monika Shah
<monikapatira AT gmail.com>
Devanagari (U+0900-U+097F)
Gujarati (U+0A80-U+0AFF)
Glyphs were drawn by Cyberscape Multimedia Ltd., #101,Mahalakshmi
Mansion 21st Main 22nd "A" Cross Banashankari 2nd stage Banglore
560070, India. Converted to OTF by IndicTrans Team, Powai, Mumbai,
lead by Prof. Jitendra Shah. Maintained by Monika Shah and Sonali
Sonania of janabhaaratii Team, C-DAC, Mumbai. This font is released
under GPL by Dr. Alka Irani and Prof Jitendra Shah, janabhaaratii
Team, C-DAC, Mumabi. janabhaaratii is localisation project at C-DAC
Mumbai (formerly National Centre for Software Technology); funded by
TDIL, Govt. of India. Contact:monika_shah AT lycos.com,
sonalisonania AT yahoo.com, jitendras AT vsnl.com, alka AT ncst.ernet.in.
website: www.janabhaaratii.org.in.
* Pravin Satpute <pravin.d.s AT gmail.com>, Bageshri Salvi
<sbagrshri AT yahoo.co.in>, Rahul Bhalerao <b.rahul.pm AT
gmail.com> and Sandeep Shedmake <sandeep.shedmake AT gmail.com>
Devanagari (U+0900-U+097F)
Gujarati (U+0A80-U+0AFF)
Oriya (U+0B00-U+0B7F)
Malayalam (U+0D00-U+0D7F)
Tamil (U+0B80-U+0BFF)
In December 2005 the team at www.gnowledge.org released a set of two
Unicode pan-Indic fonts: "Samyak" and "Samyak Sans". "Samyak" font
belongs to serif style and is an original work of the team; "Samyak
Sans" font belongs to sans serif style and is actually a compilation
of already released Indic fonts (Gargi, Padma, Mukti, Utkal, Akruti
and ThendralUni). Both fonts are based on Unicode standard.
The fonts are now hosted at Sarovar.org:
http://sarovar.org/projects/samyak/
* Kulbir Singh Thind
Gurmukhi (U+0A00-U+0A7F)
Dr. Kulbir Singh Thind designed a set of Gurmukhi Unicode fonts,
AnmolUni and AnmolUni-Bold, which are available under the terms of GNU
Generel Public License from the Punjabu Computing Resource Center,
http://guca.sourceforge.net/typography/fonts/anmoluni/.
* Gia Shervashidze <giasher AT telenet.ge>
Georgian (U+10A0-U+10FF)
Starting in mid-1990s, Gia Shervashidze designed many
Unicode-compliant Georgian fonts: Times New Roman Georgian, Arial
Georgian, Courier New Georgian. His work on Georgian localization can
be reached at http://www.gia.ge/.
* Primož Peterlin <primoz.peterlin AT biofiz.mf.uni-lj.si>
Primož Peterlin filled in missing glyphs here and there (e.g. Latin
Extended-B and IPA Extensions ranges in the FreeMono familiy), and
created the following UCS blocks:
Latin Extended-B (U+0180-U+024F)
IPA Extensions (U+0250-U+02AF)
Arrows (U+2190-U+21FF)
Box Drawing (U+2500-U+257F)
Block Elements (U+2580-U+259F)
Geometrical Shapes (U+25A0-U+25FF)
* Mark Williamson
Made the MPH 2 Damase font, from which
Hanunóo (U+1720-U+173F)
Buginese (U+1A00-U+1A1F)
Tai Le (U+1950-U+197F)
Ugaritic (U+10380-U+1039F)
Old Persian (U+103A0-U+103DF)
* Jacob Poon
Submitted a very thorough survey of glyph problems and other suggestions.
* Alexey Kryukov
Made the TemporaLCGUni fonts, based on the URW++ fonts, from which at one
point FreeSerif Cyrillic, and some of the Greek, was drawn. He also provided
valuable direction about Cyrillic and Greek typesetting.
Cyrillic (U+0400-U+04FF)
* George Douros
The creator of several fonts focusing on ancient scripts and symbols.
Many of the glyphs are created by making outlines from scanned images
of ancient sources.
Aegean: Phoenecian
Analecta: Gothic (U+10330-U+1034F)
Musical: Byzantine & Western
Unicode: many Miscellaneous Symbols, Miscellaneous Technical, OCR,
supplemental Symbols, and Mathematical Alphanumeric symbols,
Mah Jong, and the outline of the Domino.
* Daniel Johnson
Created by hand a Cherokee range specially for FreeFont to be "in line with
the classic Cherokee typefaces used in 19th century printing", but also to
fit well with ranges previously in FreeFont. Then he made Unified Canadian
Syllabics in Sans, and a Cherokee and Kayah Li in Mono! And never to be
outdone by himself, then did UCAS Extended and Osmanya.... What next?
Armenian (serif) (U+0530-U+058F)
Cherokee (U+13A0-U+13FF)
Unified Canadian Aboriginal Syllabics (U+1400-U+167F)
UCAS Extended (U+18B0-U+18F5)
Kayah Li (U+A900-U+A92F)
Tifinagh (U+2D30-U+2D7F)
Vai (U+A500-U+A62B)
Latin Extended-D (Mayanist letters) (U+A720-U+A7FF)
Osmanya (U+10480-U+104a7)
* Yannis Haralambous and Wellcome Institute
In 1994, The Wellcome Library
The Wellcome Institute for the History of Medicine
183 Euston Road, London NW1 2BE, England.
commissioned Mr. Haralambous to produce a Sinhalese font for them.
We have received 03/09 official notice from Robert Kiley, Head of e-Strategy
for the Wellcome Library, that Yannis' font could be included in GNU
FreeFont under its GNU license.
Thanks to Dominik Wujastyk, for providing us with feedback and contacts
to repsonsible people at the Trust.
Sinhala (U+0D80-U+0DFF)
* The Sinhala font project http://sinhala.sourceforge.net/
The Sinhala font project has taken the glyphs from Yannis Haralambous'
Sinhala font, to produce a Unicode TrueType font, LKLUG. These glyphs
were for a while included in FreeFont.
Sinhala (U+0D80-U+0DFF)
* Steve White <stevan.white AT googlemail.com>
Filled in a lot of missing characters, got some font features working,
left fingerprints almost everywhere, and is responsible for these blocks:
Runic (U+16A0-U+16F0)
Glagolitic (U+2C00-U+2C5F)
Coptic (U+2C80-U+2CFF)
Old Italic (U+10300-U+1032F)
(The design of Runic is based roughly on one originally submitted by
Vyacheslav Dikonov)
* Pavel Skrylev is responsible for
Cyrillic Extended-A (U+2DEO-U+2DFF)
as well as many of the additions to
Cyrillic Extended-B (U+A640-U+A65F)
* Masoud Pourmoosa corrected several letters in Arabic for Persian:
Arabic (U+0600-U+06FF)
Notes:
*: The glyph collection looks license-compatible, but its author has
not yet replied and agreed on their work being used in part of
this glyph collection.
--------------------------------------------------------------------------
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Installing GNU FreeFont
=======================
GNU FreeFont can be used in any modern operating system.
This document explains how to install FreeFont on some common systems.
UNIX/GNU/Linux/BSD Systems
--------------------------
FreeFont works with any system using the free font rasterizer FreeType
<http://www.freetype.org/>. Some features such as glyph substitution and
positioning may be handled by the text layout library
Pango <http://www.pango.org/>.
Most recent systems using FreeType2 and Pango handle OpenType fonts well,
but on older systems TrueType may perform better.
* Debian GNU/Linux
Users of Debian GNU/Linux system will probably want to use the Debian package,
named 'ttf-freefont', available from the Debian Linux site.
Install the fonts by issuing the command
apt-get install ttf-freefont
* KDE local installation
Users of KDE can install .ttf files on a per-user basis using the KDE
Control Center module "kcmfontinst", which may appear in the menu as
Settings -> System Administration -> Font Installer
This is especially helpful for developers and testers.
* Generic X Window systems
1) Fetch the freefont-ttf.tar.gz package with Free UCS outline fonts
in the TrueType format.
2) Unpack TrueType fonts into a suitable directory,
e.g. /usr/local/share/fonts/default/TrueType/
3) If you have chosen any other directory, make sure the directory you
used to install the fonts is listed in the path searched by the X
Font Server by editing the config file in /etc/X11/.
In some systems, you list the directory in the item "catalogue="
in the file /etc/X11/fs/config.
4) Run ttmkfdir in the directory where you unpacked the fonts.
Microsoft Windows 95/98/NT/2000/XP; Vista/7
-------------------------------------------
Note that in at least Windows 7, Vista, XP and 2000, the TrueType versions
perform much better than, and are recommended over, the OpenType ones.
For good font smoothing in Windows, Microsoft ClearType must be enabled.
The native Windows web browser must be used to install, enable, and configure
ClearType. A web search for "ClearType Tuner" will find the proper web pages.
Recent versions of the browser raise a security block (a yellow bar at the
top of the window), which you must act upon to allow installation. A
checkbox in the window turns ClearType on (in Win-speek, "Turn on ClearType").
The change happens immediately.
* Vista, Windows 7:
1) From the Start menu, open Control Panels
2) Drag-n-drop font files onto Fonts control panel
You may get a dialog saying
"Windows needs your permission to continue"
a) Click Continue
* 95/98/NT:
The font installation is similar to Vista.
In order to use OpenType, users of Windows 95, 98 and NT 4.0 can
install Adobe's 'Type Manager Light', which may be obtained from
the Adobe web site.
Otherwise, use the TrueType versions.
Apple Mac OS X
--------------
Support for OpenType on MacOS X started with OS 10.4, and has been improved
gradually in later versions.
Installing on Mac OS X consists of moving the font files to either
/Library/Fonts/ or ~/Library/Fonts/
depending on whether they should be available to all users on your system
or just to your own user.
--------------------------------------------------------------------------
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-*-text-*-
GNU FreeFont
The GNU FreeFont project aims to provide a useful set of free scalable
(i.e., OpenType) fonts covering as much as possible of the ISO 10646/Unicode
UCS (Universal Character Set).
Statement of Purpose
--------------------
The practical reason for putting glyphs together in a single font face is
to conveniently mix symbols and characters from different writing systems,
without having to switch fonts.
Coverage
--------
FreeFont covers the following character ranges
* Latin, Cyrillic, and Arabic, with supplements for many languages
* Greek, Hebrew, Armenian, Georgian, Thaana, Syriac
* Devanagari, Bengali, Gujarati, Gurmukhi, Sinhala, Tamil, Malayalam
* Thai, Tai Le, Kayah Li, Hanunóo, Buginese
* Cherokee, Unified Canadian Aboriginal Syllabics
* Ethiopian, Tifnagh, Vai, Osmanya, Coptic
* Glagolitic, Gothic, Runic, Ugaritic, Old Persian, Phoenician, Old Italic
* Braille, International Phonetic Alphabet
* currency symbols, general punctuation and diacritical marks, dingbats
* mathematical symbols, including much of the TeX repertoire of symbols
* technical symbols: APL, OCR, arrows,
* geometrical shapes, box drawing
* musical symbols, gaming symbols, miscellaneous symbols
etc.
For more detail see <http://www.gnu.org/software/freefont/coverage.html>
Editing
-------
The free outline font editor, George Williams' FontForge
<http://fontforge.sourceforge.net/> is used for editing the fonts.
Design Issues
-------------
Which font shapes should be made? Historical style terms like Renaissance
or Baroque letterforms cannot be applied beyond Latin/Cyrillic/Greek
scripts to any greater extent than Kufi or Nashki can be applied beyond
Arabic script; "italic" is strictly meaningful only for Latin letters,
although many scripts such as Cyrillic have a history with "cursive" and
many others with "oblique" faces.
However, most modern writing systems have typographic formulations for
contrasting uniform and modulated character stroke widths, and since the
advent of the typewriter, most have developed a typographic style with
uniform-width characters.
Accordingly, the FreeFont family has one monospaced - FreeMono - and two
proportional faces (one with uniform stroke - FreeSans - and one with
modulated stroke - FreeSerif).
The point of having characters from different writing systems in one font
is that mixed text should look good, and so each FreeFont face contains
characters of similar style and weight.
Licensing
---------
Free UCS scalable fonts is free software; you can redistribute it and/or
modify it under the terms of the GNU General Public License as published
by the Free Software Foundation; either version 3 of the License, or
(at your option) any later version.
The fonts are distributed in the hope that they will be useful, but
WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY
or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License
for more details.
You should have received a copy of the GNU General Public License along
with this program; if not, write to the Free Software Foundation, Inc.,
51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA.
As a special exception, if you create a document which uses this font, and
embed this font or unaltered portions of this font into the document, this
font does not by itself cause the resulting document to be covered by the
GNU General Public License. This exception does not however invalidate any
other reasons why the document might be covered by the GNU General Public
License. If you modify this font, you may extend this exception to your
version of the font, but you are not obligated to do so. If you do not
wish to do so, delete this exception statement from your version.
Files and their suffixes
------------------------
The files with .sfd (Spline Font Database) are in FontForge's native format.
They may be used to modify the fonts.
TrueType fonts are the files with the .ttf (TrueType Font) suffix. These
are ready to use in Linux/Unix, on Apple Mac OS, and on Microsoft Windows
systems.
OpenType fonts (with suffix .otf) are preferred for use on Linux/Unix,
but *not* for recent Microsoft Windows systems.
See the INSTALL file for more information.
Web Open Font Format files (with suffix .woff) are for use in Web sites.
See the webfont_guidelines.txt for further information.
Further information
-------------------
Home page of GNU FreeFont:
http://www.gnu.org/software/freefont/
More information is at the main project page of Free UCS scalable fonts:
http://savannah.gnu.org/projects/freefont/
To report problems with GNU FreeFont, it is best to obtain a Savannah
account and post reports using that account on
https://savannah.gnu.org/bugs/
Public discussions about GNU FreeFont may be posted to the mailing list
freefont-bugs@gnu.org
--------------------------------------------------------------------------
Original author: Primoz Peterlin
Current administrator: Steve White <stevan.white@googlemail.com>
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Troubleshooting GNU FreeFont
So your text looks lousy, although you installed FreeFont and you seem to be
using it. What do you do?
Before you blame the problem on FreeFont, take the time to double-check that
the text you are looking at is really rendered with FreeFont.
Be aware that not all Unicode characters are supported by FreeFont, and
even characters supported by one face, such as Serif, might not be
supported by other faces such as Sans.
Also, some systems have settings that strongly affect the rendering
of fonts. It may be worth tweaking these.
glyph substitution
==================
When given the task of displaying characters in text, modern font rendering
software usually tries to display *something*, even if the font it is
*supposed* to be using does not contain glyphs for all the characters in the
text. The software will snoop through all the fonts on the system to find
one that has a glyph for the one missing in the desired font. So although
you have specified FreeSans-bold, you may be looking at a letter from quite
a different font.
First double-check that the font in question really contains the character
in question. If you don't have font development software, this can be
tricky. In the case of FreeFont, you can check if a given character
range is supported: <http://www.gnu.org/software/freefont/coverage.html>
Next double-check that your application (web browser, text editor, etc)
has indeed been properly instructed to use the font.
Then double-check that the font is really installed in the system.
(This depends on the operating system, of course.)
Linux and Unix
==============
Modern Linux systems use a system called fontconfig, which maintains a font
cache, for efficiency.
The font cache can really complicate font installation and troubleshooting
however. It can happen that when a font is newly installed, what is
displayed is coming out of an old cache entry rather than the new font.
Just what to do depends on how and where the font was installed.
Fonts installed system-wide are usually put in a directory such as
/usr/share/fonts/
the font cache for these might be in
/var/cache/fontconfig/
Fonts installed just for one user account will typically be in
~/.fonts/
and the cache will be
~/.fontconfig/
You can clean your local cache merely by emptying the directory
~/.fontconfig/
In any case, to clean the cache, you can use the fontconfig command
fc-cache -vf
If run as root, it will clean the system cache, if run as a normal user,
it cleans only the normal user's cache.
The procedure for local fonts is:
1) shut off any program using the fonts in question
2) clean the cache
3) re-start the program
The procedure for system-wide fonts is:
1) log out of the X Windows session
2) in a console, clean the cache
3) log in to an X Windows session
LibreOffice / OpenOffice
========================
These products have their own font rendering libraries, which have
idiosyncratic behavior.
It has recently been reported that as of LibreOffice 3.5.1, font features
are disabled for OpenType fonts. If you use FreeFont with these products,
you may want to install the TrueType versions of the fonts.
Windows
=======
The most common complaint has to do with "blurry text". There are two
causes.
The first is that ClearType smoothing is turned off. The best way to check
is to use the native Windows Web browser. Do a search for "ClearType Tuner".
The Microsoft pages install a tuner for ClearType. A security block notice
will appear at the top of the window--you have to allow the installation.
Then check the box "Turn on ClearType". The change happens immediately.
The secont cause is that the FreeFont version with cubic spline outlines is
installed. As of the 2012 GNU FreeFont release, the TrueType builds have
quadratic splines, which work best with Windows' rendering software.
TTF (TrueType) quadratic splines Windows 7, Vista, Windows XP.
OTF (OpenType) cubic splines Linux, Mac
Note also: Firefox has a setting for ClearType:
gfx.font_rendering.cleartype_params.rendering_mode
A value of 2 sets it to old-style GDI rendering, while -1 is the default.
reporting problems
==================
If you really think you're seeing a bug in FreeFont, or if you have
a suggestion, consider opening a problem report at
https://savannah.gnu.org/bugs/?group=freefont
It is best that you make a Savannah account and log in with that, so
you can be e-mailed whenever changes are made to your report.
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Usage of GNU FreeFont
Language scripts and faces
==========================
There are three faces (serif, sans-serif, and monospace), and four styles
(regular, bold, cursive/italic, and bold cursive/italic) for each face.
There is one font file per face/style combination: 12 files in total.
The letters for various languages, as well as specialized symbols, exist
among the various font files, but they are not uniformly populated.
All the fonts have complete support for Latin, Cyrillic, and Greek, as
well as most of the extensions for those scripts.
At this time, serif regular has by far the largest number of letters, and
supports the largest number of writing scripts. However there are writing
scripts supported by the sans-serif but not by serif.
For an overview of which scripts and sets of symbols are supported by
which face, see the FreeFont 'coverage' web page.
Font features
=============
FreeFont has numerous font "features" that perform alterations to the basic
letters of the font, replacing them with other letters, or positioning them
with respect to other letters.
Many features are activated automatically, but in some environments, they
present some user control. This documents those features with user control.
Language-specific features
==========================
Some OpenType font features are activated only when the text is specified to
be of a certain language.
This is done in HTML by enclosing the text with a tag whose 'lang' attribute
is set to the appropriate ISO 632.2 language code. In a word processor,
any block of text can be given a language setting.
Latin
-----
Catalan ligature improving l·l
Dutch ligatures for ij, IJ
Sami localized form for letter Eng
Turkish overrides ligatures fi ffi of Latin
Cyrillic
--------
Ukrainian ligature for double i-diaresis
Serbian/Macedonian localized letters be, and more in italic
Bulgarian style set for modern glyphs
Hebrew
------
Yiddish raised vowels under yo
Devanagari
----------
Sanskrit much larger set of ligatures
Hindi, Marathi better spacing of Western punctuation marks
Indic languages
---------------
The 'danda' character is encoded in Unicode only in the Devanagari range.
When writing in scripts of other Indic languages, this same character is to
be used. But the shapes and line thicknesses of glyphs vary slightly from
one script to another, so the same glyph for 'danda' may not fit all scripts.
By specifying the language of the text, an appropriate glyph for 'danda'
will be obtained.
Style sets
==========
These replacements are activated by specifying a "Style Set".
These features are accessible only from typesetting software.
Cyrillic Bulgarian modern (ss01)
Devanagari Bombay (ss02), Calcutta (ss03), Nepali (ss04)
Discretionary features
======================
These features are accessible only from typesetting software.
Typically the user must specifically request them.
Unless otherwise noted, these are available only in FreeSerif.
Ligatures and substitutions
---------------------------
Arabic, Armenian, Hebrew, German, Dutch
Small captials
--------------
A limited set of specially drawn small capital letters in Latin.
Superscript and subscript
-------------------------
Transform a limited set of characters--mostly Latin letters and numerals--
to versions well-sized and positioned as superscript or subscript.
Numeral styles
--------------
The default numerals of FreeSerif are mono-spaced and of even height.
It also features proportionally-spaced numerals, and "old-style" numerals--
those which vary in height and sometimes go beneath the baseline.
These can be had at discretion.
Diagonal fractions
------------------
A limited set of diagonal fraction substitutions are available at discretion.
The set is more than what is encoded in Unicode.
They work with the ASCII slash or the mathematical slash U+2215.
The transform a sequence "number-slash-number" to a diagonal form.
Zero
----
A slashed form of the numeral zero is available at discretion.
Available in all faces.
Alternative characters
======================
FreeSerif has some listings of alternatives for specific characters.
Again this is use primarily in specialized typesetting software.
Greek, Latin
Use in LaTeX
============
It is possible to use Unicode fonts in recent LaTeX implementations, but in
LuaTeX http://www.luatex.org/ and
XeTeX http://tug.org/xetex/
it is particularly easy to use Unicode text, and to enable font features.
Recent versions of these systems use the 'fontspec' package to choose fonts
and features.
A very simple document might contain the lines
---------------------------------------------------------------------------
\documentclass{ltxdockit}
\usepackage{fontspec}
\usepackage{xunicode}
\setmainfont[]{FreeSerif}
\begin{document}
{\fontspec[Script=Default,Fractions={On}]{FreeSerif}
1/7 3/10 7/10}
x\raisebox{-0.5ex}{{\scriptsize ai}}
x{\fontspec[Script=Default,VerticalPosition={Inferior}]{FreeSerif}
abcdefghijklmnopqrstuvwxyz+−(0123456789)} \\
x\raisebox{0.85ex}{{\scriptsize ai}}
x{\fontspec[Script=Default,VerticalPosition={Superior}]{FreeSerif}
abcdefghijklmnopqrstuvwxyz+−(0123456789)}
{\fontspec[Script=Latin]{FreeSerif}
\textsc{Small Caps} }
{ Bсички хора се раждат свободни и равни по достойнство и права.
\fontspec[Script=Cyrillic,Language=Bulgarian,Variant={1}]{FreeSerif} \selectfont
Bсички хора се раждат свободни и равни по достойнство и права. }
\end{document}
---------------------------------------------------------------------------
Here are some 'fontspec' setting-value pairs meaningful for FreeFont.
Numbers: Lining OldStyle Proportional SlashedZero
Fractions: On
VerticalPosition: Superior Inferior
Ligatures: Common Historical
Letters: UppercaseSmallCaps
Variant: 1 (etc. -- must be in {} picks style set.)
---------------------------------------------------------------------------
$Id: usage.txt,v 1.10 2011-07-16 08:38:06 Stevan_White Exp $

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games/Ping-Pong/res/fonts/manaspace/license.txt
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Thanks for downloading one of codeman38's retro video game fonts, as seen on Memepool, BoingBoing, and all around the blogosphere.
So, you're wondering what the license is for these fonts? Pretty simple; it's based upon that used for Bitstream's Vera font set <http://www.gnome.org/fonts/>.
Basically, here are the key points summarized, in as little legalese as possible; I hate reading license agreements as much as you probably do:
With one specific exception, you have full permission to bundle these fonts in your own free or commercial projects-- and by projects, I'm referring to not just software but also electronic documents and print publications.
So what's the exception? Simple: you can't re-sell these fonts in a commercial font collection. I've seen too many font CDs for sale in stores that are just a repackaging of thousands of freeware fonts found on the internet, and in my mind, that's quite a bit like highway robbery. Note that this *only* applies to products that are font collections in and of themselves; you may freely bundle these fonts with an operating system, application program, or the like.
Feel free to modify these fonts and even to release the modified versions, as long as you change the original font names (to ensure consistency among people with the font installed) and as long as you give credit somewhere in the font file to codeman38 or zone38.net. I may even incorporate these changes into a later version of my fonts if you wish to send me the modifed fonts via e-mail.
Also, feel free to mirror these fonts on your own site, as long as you make it reasonably clear that these fonts are not your own work. I'm not asking for much; linking to zone38.net or even just mentioning the nickname codeman38 should be enough.
Well, that pretty much sums it up... so without further ado, install and enjoy these fonts from the golden age of video games.
[ codeman38 | cody@zone38.net | http://www.zone38.net/ ]

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games/Ping-Pong/res/fonts/manaspace/manaspc.ttf
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games/Ping-Pong/res/sounds/paddle_collision.wav
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games/Ping-Pong/res/sounds/player_lose.wav
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games/Ping-Pong/res/sounds/player_point.wav
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games/Ping-Pong/src/pong_entry.cpp
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#include <iostream>
#include <SDL2/SDL.h>
#include "Audio.hpp"
#include "Entity.hpp"
#include "Logger.hpp"
#include "Values.hpp"
#include "Timestep.hpp"
#include "Renderwindow.hpp"
enum PlayerType
{
Player, Bot, NoOne
};
enum Side
{
Left, Right, Top, Bottom, Up, Down, None
};
/* Variables */
bool GameRunning = true;
const Birb::Vector2f baseBallVector = { 6, 6 };
PlayerType lastCollider = PlayerType::NoOne;
Side lastSide = Side::None;
TTF_Font* scoreFont;
void MirrorBallVector(Birb::Vector2f* ballVector, Side side, Side playerMovementDirection)
{
float movementMultiplier = 1.00f;
if (playerMovementDirection != Side::None && side == Left && side != Top && side != Bottom)
{
movementMultiplier = Birb::utils::randomFloat(1.10f, 1.30f);
/* Change the ball movement direction depending on the player movement */
ballVector->x *= -1;
switch (playerMovementDirection)
{
case (Side::Up):
if (ballVector->y > 0)
ballVector->y *= -1 * movementMultiplier;
break;
case (Side::Down):
if (ballVector->y < 0)
ballVector->y *= -1 * movementMultiplier;
break;
default:
break;
}
lastSide = Side::Left;
return;
}
else
movementMultiplier = 0.90f;
/* Prevent the ball from glitching into the walls */
if (side == lastSide)
{
Birb::Debug::Log("Cancelling repeating collision");
return;
}
switch (side)
{
case (Top):
ballVector->y *= -1 * movementMultiplier;
break;
case (Bottom):
ballVector->y *= -1 * movementMultiplier;
break;
case (Left):
ballVector->x *= -1;
break;
case (Right):
ballVector->x *= -1;
break;
default:
break;
}
lastSide = side;
}
Side BallScreenBoundHit(Birb::Vector2f pos, int radius, Birb::Window window)
{
/* Top hit */
if (pos.y - radius < 0)
return Side::Top;
/* Bottom hit */
if (pos.y + radius > window.window_dimensions.y)
return Side::Bottom;
/* Left hit */
if (pos.x - radius < 0)
return Side::Left;
/* Right hit */
if (pos.x + radius > window.window_dimensions.x)
return Side::Right;
return Side::None;
}
void ResetBall(Birb::Vector2f* ballPosition, Birb::Vector2f* ballVector, Birb::Window window)
{
ballPosition->x = window.window_dimensions.x / 2.00f;
ballPosition->y = window.window_dimensions.y / 2.00f;
ballVector->x = baseBallVector.x;
ballVector->y = baseBallVector.y * Birb::utils::randomFloat(-1.5, 1.5);
lastCollider = PlayerType::NoOne;
lastSide = Side::None;
}
void UpdateBallCollider(Birb::Rect* collider, Birb::Vector2f ballPosition, int ballSize)
{
collider->x = ballPosition.x - (ballSize / 2.00f);
collider->y = ballPosition.y - (ballSize / 2.00f);
collider->w = (float)ballSize;
collider->h = (float)ballSize;
}
Side BallPlayerCollision(Birb::Rect playerDimensions, Birb::Rect botDimensions, Birb::Rect ballCollider)
{
SDL_Rect player = playerDimensions.getSDLRect();
SDL_Rect bot = botDimensions.getSDLRect();
SDL_Rect ball = ballCollider.getSDLRect();
/* Collision with either bot or player and the ball */
if (SDL_HasIntersection(&player, &ball) && lastCollider != PlayerType::Player)
{
lastCollider = PlayerType::Player;
return Side::Left;
}
else if (SDL_HasIntersection(&bot, &ball) && lastCollider != PlayerType::Bot)
{
lastCollider = PlayerType::Bot;
return Side::Right;
}
else
return Side::None;
}
int main(int argc, char **argv)
{
Birb::Debug::Log("Starting Pong!");
Birb::Debug::Log("Working directory: " + (std::string)argv[0]);
std::string workdir = (std::string)argv[0];
size_t pos = std::string::npos;
// Search for the substring in string in a loop untill nothing is found
while ((pos = workdir.find("/pong") )!= std::string::npos)
{
// If found then erase it from string
workdir.erase(pos, std::string("/pong").length());
break;
}
Birb::Window window("Pong", Birb::Vector2int(1280, 720), 240);
Birb::TimeStep timeStep;
/* Initialize timestep */
timeStep.Init();
/* Gameloop variables */
SDL_Event event;
bool holdingKey = false;
scoreFont = Birb::Resources::LoadFont(workdir + "/res/fonts/manaspace/manaspc.ttf", 64);
/* Ball variables */
Birb::Vector2f ballVector = { 6, 6 };
Birb::Vector2f ballPosition = { window.window_dimensions.x / 2.00f, window.window_dimensions.y / 2.00f };
int ballSize = 8;
Birb::Rect ballCollider;
/* Player variables */
int playerSpeed = 8;
int playerSideOffset = 32;
Birb::Rect playerDimensions = { (float)playerSideOffset, window.window_dimensions.y / 2.00f - 50, 10, 100 };
Side playerMovementDirection = Side::None;
int botMovementSpeed = 5;
Birb::Rect botDimensions = playerDimensions;
botDimensions.x = window.window_dimensions.x - playerDimensions.x - playerDimensions.w;
/* Score variables */
int playerScore = 0;
int botScore = 0;
Birb::Entity e_playerScore("Player score", Birb::Vector2int(window.window_dimensions.x / 2 - 150, 32), Birb::TextComponent("0", scoreFont, &Birb::Colors::White));
Birb::Entity e_botScore("Bot score", Birb::Vector2int(window.window_dimensions.x / 2 + 150 - 64, 32), Birb::TextComponent("0", scoreFont, &Birb::Colors::White));
/* Sounds */
Birb::Audio::Init(MIX_INIT_MP3);
Birb::Audio::SoundFile paddle_collision(workdir + "/res/sounds/paddle_collision.wav");
Birb::Audio::SoundFile player_lose(workdir + "/res/sounds/player_lose.wav");
Birb::Audio::SoundFile player_point(workdir + "/res/sounds/player_point.wav");
while (GameRunning)
{
timeStep.Start();
while (timeStep.Running())
{
bool playerMoved = false;
while (SDL_PollEvent(&event) != 0)
{
window.EventTick(event, &GameRunning);
/* Player movement */
if (event.type == SDL_KEYDOWN)
{
switch (event.key.keysym.scancode)
{
/* Arrow keys */
/* Up arrow */
case (82):
playerMovementDirection = Side::Up;
break;
/* Down arrow */
case (81):
playerMovementDirection = Side::Down;
break;
/* Vim keys */
/* k */
case (14):
playerMovementDirection = Side::Up;
break;
/* j */
case (13):
playerMovementDirection = Side::Down;
break;
/* Controller */
default:
playerMovementDirection = Side::None;
break;
}
}
else if (event.type == SDL_KEYUP)
{
playerMovementDirection = Side::None;
}
}
timeStep.Step();
}
timeStep.End();
/* Update score position */
e_playerScore.rect.x = window.window_dimensions.x / 2.00 - 150;
e_botScore.rect.x = window.window_dimensions.x / 2.00 + 150 - 64;
/* Handle player movement */
{
if (playerMovementDirection == Side::Up)
playerDimensions.y -= playerSpeed;
else if (playerMovementDirection == Side::Down)
playerDimensions.y += playerSpeed;
}
/* Handle bot movement */
{
if (ballPosition.x > window.window_dimensions.x / 2.00f && lastCollider != PlayerType::Bot) // Only move the bot paddle if the ball is on its side and it hasn't hit the ball yet
{
if (ballPosition.y - (playerDimensions.h / 2.00f) > 0 && ballPosition.y + (playerDimensions.h / 2.00f) < window.window_dimensions.y)
{
if (ballPosition.y > botDimensions.y + (botDimensions.h / 2.00f))
botDimensions.y += botMovementSpeed;
else
botDimensions.y -= botMovementSpeed;
}
}
/* Update the horizontal position of the bot in case the window dimensions are changed */
botDimensions.x = window.window_dimensions.x - playerDimensions.x - playerDimensions.w;
}
/* Ball movemement and colliders */
{
ballPosition.x += ballVector.x;
ballPosition.y += ballVector.y;
UpdateBallCollider(&ballCollider, ballPosition, ballSize);
/* Ball hit the top or bottom. Just bounce */
Side hitSide = BallScreenBoundHit(ballPosition, ballSize, window);
if (hitSide == Side::Top || hitSide == Side::Bottom)
MirrorBallVector(&ballVector, hitSide, playerMovementDirection);
/* Ball hit the side walls. Reset the game */
if (hitSide == Side::Left || hitSide == Side::Right)
{
/* Handle scoring and audio */
if (hitSide == Side::Left)
{
player_lose.play();
botScore++;
}
else
{
player_point.play();
playerScore++;
}
MirrorBallVector(&ballVector, hitSide, playerMovementDirection);
ResetBall(&ballPosition, &ballVector, window);
}
/* Check for paddle hits */
hitSide = BallPlayerCollision(playerDimensions, botDimensions, ballCollider);
if (hitSide != Side::None)
{
paddle_collision.play();
MirrorBallVector(&ballVector, hitSide, playerMovementDirection);
}
}
/* Render stuff */
window.Clear();
{
/* Draw playfield divider */
Birb::Render::DrawRect(Birb::Colors::White, Birb::Rect((window.window_dimensions.x / 2.00f) - 4, 0, 8, window.window_dimensions.y));
/* Draw players */
{
/* Player */
Birb::Render::DrawRect(Birb::Colors::White,
Birb::Rect(playerDimensions.x, playerDimensions.y,
playerDimensions.w, playerDimensions.h));
/* Bot */
Birb::Render::DrawRect(Birb::Colors::White,
Birb::Rect(botDimensions.x, botDimensions.y,
botDimensions.w, botDimensions.h));
}
/* Draw the ball */
Birb::Render::DrawCircle(Birb::Colors::White,
Birb::Vector2int(ballPosition.x, ballPosition.y),
ballSize);
/* Draw score */
e_playerScore.SetText(std::to_string(playerScore));
e_botScore.SetText(std::to_string(botScore));
Birb::Render::DrawEntity(e_playerScore);
Birb::Render::DrawEntity(e_botScore);
}
window.Display();
/* End of rendering */
}
Birb::Debug::Log("Starting cleanup...");
/* Free sound effects */
player_lose.free();
player_point.free();
paddle_collision.free();
window.Cleanup();
SDL_Quit();
Birb::Debug::Log("Game should be closed now!");
return 0;
}